Los Jardines de Salomón

jardines de salomon

Ser admirador es adorar, crear fetiches de cada objeto, leer con la meticulosidad del amante que relee una carta de su pareja.

To be a fan is to worship, to turn each object into a fetish, to read as meticulously as a lover rereading a letter from a partner.

Obsession is the theme running through Liliana Lara’s first collection of short stories, Los Jardines de Salomón (Universidad de Oriente, 2008). From Ernest Hemingway and the French language to spanking or Nina Hagen performing almost naked on Miss Venezuela, the obsessions of children, teenagers, teachers and bored business men are brought to life through Liliana’s intimate and confessional writing style, creating an intense and utterly engrossing collection. 

For foreign readers, Los Jardines de Salomón is also a wonderful geography lesson, portraying parts of Venezuela rarely seen in contemporary literature, like Cumaná, Catia and Maturín. These lesser-known cities chime with the every day dramas depicted in the stories, providing a refreshing change to the tales of Caracas violence that so often reach international readers.

Prizes

Premio Bienal Literaria José Antonio Ramos Sucre, 2008. The judges said:

‘Las interesantes anécdotas, los bien delimitados personajes y las excelentes ambientaciones están acompañadas de unos recursos estilísticos impecables’.

‘The interesting anecdotes, well-defined characters and excellent settings are accompanied by some impeccable stylistic devices’.

Watch Liliana’s reaction to winning the prize below.

Interviews

‘Liliana Lara: Una escritora marginal en el mundo’ – discussing Los Jardines de Salomón with Jacqueline Goldberg.

International versions

Sudaquía recently acquired the rights to Los Jardines de Salomón and will be publishing the book in the United States in 2014.

Translations

Nina Hagen’s Dog (El Perro de Nina Hagen)

One thought on “Los Jardines de Salomón

  1. Pingback: Nina Hagen’s Dog by Liliana Lara | Venezuelan Literature

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